Works inspired by a communal reading of Kurt Vonnegut's anthropology thesis.
Mar 28, 2011
My Favorite End-of-the-World Scenario
By Devin Conathan
From Chapter 116, “The Grand Ah-woom”
The moist green earth was a blue-white pearl.
The sky darkened. Borasisi, the sun, became a sickly yel-
low ball, tiny and cruel.
The sky was filled with worms. The worms were torna-
does.
I still remember that moment. When those words first
came across my eyes.
My first Vonnegut book. The end of the world.
CRACK
and silence.
and I was there too: staring out over the frozen sea,
The manmade Ice Age around us, the darkened sky.
Then the tornadoes appeared,
That’s when I knew it was real.
I had to stop reading and
breathe
How did we get here?
Laziness, stupidity, short-sightedness. And genius.
The men didn’t want to walk through the mud.
I laughed.
But nuclear energy was harnessed because
The men didn’t want to fight.
Laziness, stupidity, short-sightedness. And genius.
And I became uneasy.
That’s when I knew it was real.
Labels:
Prose,
Vol II Issue I
re search
By Amber Jade Alexander
in the time between searching and
re
searching
lost took new meaning
discovery ceased to exist.
Labels:
Art,
Poetry,
Vol II Issue I
Vin-Dit
By Maggie Weiss
Chapter 31:
"It's a small world," I observed.
"When you put it in a cemetery, it is."
Chapter 31:
"It's a small world," I observed.
"When you put it in a cemetery, it is."
Labels:
Art,
Vol II Issue I
Contributors
Ranjini Bose is a shy alchemist.
Devin Conathan drums. Often.
G. Murray is a lapsed linguist and Rust Belt Native who spends her free time observing the participatory universe. Mary Thomas is a collector of places.
Maggie Weiss takes photos and studies languages through books and films when not working with online journals in a university library.
Amber J. Alexander writes. Occasionally.
Jillian Piccirilli is an artist whose work transverses a number of different mediums with a common interest in narrative, history, and expanding one's sense of the real.
Maggie Weiss takes photos and studies languages through books and films when not working with online journals in a university library.
Amber J. Alexander writes. Occasionally.
Jillian Piccirilli is an artist whose work transverses a number of different mediums with a common interest in narrative, history, and expanding one's sense of the real.
Labels:
Contributors,
Vol II Issue I
Subscribe to:
Posts (Atom)







